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Tom Hanks Ewan McGregor Ayelet Zurer Stellan Skarsgård Pierfrancesco Favino Nikolaj Lie Kaas Armin Mueller-Stahl Thure Lindhardt David Pasquesi Cosimo Fusco Victor Alfieri Franklin Amobi Curt Lowens Bob Yerkes Marco Fiorini Carmen Argenziano Howard Mungo Rance Howard Steve Franken Gino Conforti Elya Baskin Richard Rosetti Silvano Marchetto |
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Robert Langdon Camerlengo Patrick McKenna Vittoria Vetra Commander Richter Inspector Olivetti Assassin Cardinal Strauss Chartrand Claudio Vincenzi Father Simeon Lieutenant Valenti Cardinal Lamasse Cardinal Ebner Cardinal Guidera Cardinal Baggia Silvano Bentivoglio Cardinal Yoruba Cardinal Beck Cardinal Colbert Cardinal Pugini Cardinal Petrov Conclave Cardinal Conclave Cardinal |
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"Ron Howard directs with conviction and Hans Zimmer's score is as fitting as the splendid Rome locations. There are dead
ends that are not dead ends, red herrings and thrilling sequences that get our blood racing. There's even a touch of humour,
when Vittoria irreverently tears an invaluable page from Galileo's writings in the Vatican archive when genteel viewing is
no longer possible. Visual effects are magically imbued to showcase Rome and make us believe we are in the most hallowed of
places. As entertainment, the angels and demons will beckon." Louise Keller URBAN CINEFILE "Ron Howard does a far superior job of filming Dan Brown’s first Robert Langdon novel Angels & Demons than he did with his lifeless blockbuster The Da Vinci Code in 2006. Picking up the pace considerably and wisely trimming some of the more preposterous excesses of Brown’s book, Angels & Demons is all the more intriguing for its setting in the murky halls of the Vatican and dusty churches of Rome. This thriller is nothing more than cheesy hokum but Howard’s skills and those of his steely star Tom Hanks render it an entertaining crowd-pleaser." Mike Goodridge SCREEN DAILY "Markedly improving on "The Da Vinci Code" in every way, the best and most cinematic of author Dan Brown's four potboilers gets an essentially faithful and dashing adaptation in the energetic yet somewhat bloated "Angels & Demons". When it forgoes its spiritual quest and remembers that it's an action thriller first and foremost, the formula works. In spite of their thin characterization, the international cast proves sturdy. A more toned than usual Hanks is thankfully devoid of the 'Da Vinci' haircut. Aiming more to engross than provoke argument or discussion, it works as logic-free light entertainment." Garth Franklin DARK HORIZONS "Tom Hanks reprises his role as Harvard professor Langdon, once again realizing that ancient forces will do everything and anything to promote their goal, even if it calls for cold-blooded murders. Unfolding as a breezy if old-fashioned psycho-religious thriller, "Angels & Demons" favors plot over characterization. Like all recent actioners, helmer Howard and cinematographer Salvatore Totino are using the model set by Paul Greengarss in the "Bourne" franchise, moving the camera swiftly and quickly, capturing the right mood of their story's locations, in and outside Rome." Emanuel Levy EMANUELLEVY.COM |
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"Plucking the same violent, occult strings as "Da Vinci" while avoiding its leadenness, "Angels" keeps the action coming for
the best part of 139 minutes. Scripters David Koepp and Akiva Goldsman have taken a firmer hand with Brown's material.
Hanks fits more comfortably into the role of Langdon here, taking a moment to deliver some friendly one-liners. If "Da
Vinci" was criticized for the lack of sexual chemistry between its protagonists, "Angels" simply refuses to suggest any kind
of romance between Langdon and Vetra. Their total lack of a relationship is so stunning successful that it passes
unnoticed. Director Ron Howard and his crew have worked hard to make Professor Robert Langdon's return a thrilling,
faster-paced walk in the park." Deborah Young HOLLYWOOD REPORTER "It might have been a hit, but Ron Howard’s movie of Dan Brown’s Catholic-symbolist potboiler The Da Vinci Code stank to heaven. For the sequel, Angels & Demons, Howard seems hell bent on atonement of a sort. He delivers a shapely, stylish, white-knuckle horror-thriller that hits its marks with blood and thunder. It stinks to heaven, too, but it isn’t lame. The streets of Rome haven’t run this red since the Inquisition. With atheists out of the closet and Richard Dawkins and Christopher Hitchens anchoring the best-seller lists, Brown’s scriptural cliffhangers put him squarely on the side of the angels." David Edelstein NEW YORK MAGAZINE "It is a testament to Ron Howard's cinematic skills that he can make this ludicrous story work as a thoroughly engaging thriller. Well, the final sequences defy credibility on several levels, but nevertheless, the film stands up and delivers, much thanks to Hans Zimmer, who provides all the gravitas required to muscle the story. In a count-down thriller the details are not always crucial for the maintenance of tension, but they sure help to deliver a richer experience. It's great escapism and doesn't warrant being taken too seriously. Zimmer's de profundis cures notwithstanding." Andrew L Urban URBAN CINEFILE |
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Director Screenplay Adapted from Producers Original Music Cinematography Film Editors Casting Production Designer Set Decoration Costume Designer |
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Ron Howard David Koepp and Akiva Goldsman the Dan Brown novel "Angels and Demons John Calley/Brian Grazer/Ron Howard Hans Zimmer Salvatore Totino Daniel P Hanley & Mike Hill Janet Hirshenson & Jane Jenkins Allan Cameron Robert Gould & Richard Roberts Daniel Orlandi |