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"I must toss a bouquet to the amazing American Idol reject Hudson, who sells a song like Garland, only louder, and to Murphy
for his terrific interpretation of Early." Jean Lowerison SAN DIEGO METROPOLITAN "It's Hudson who owns Dreamgirls; her delivery of "And I Am Telling You I'm Not Going" is worth a standing ovation or at least a recount on American Idol all by itself." Matt Brunson CREATIVE LOAFING "Dreamgirls is like a really fabulous party. The next morning, you don't remember anything special that happened, but you know you had a blast." Eleanor Ringel Gillespie ATLANTA JOURNAL-CONSTITUTION "With its sensational music, snappy editing and fabulous visuals, Dreamgirls has all the elements. Ambition, power, passion, plus Jennifer Hudson, who can belt out a song with so much soul, that it is likely to pierce your heart." Louise Keller URBAN CINEFILE "Murphy is a revelation as James, and what American Idol castoff Hudson lacks in technical acting craft she makes up for in raw energy and a voice that could melt the rhinestones off a beauty queen." Maitland McDonagh TV GUIDE'S MOVIE GUIDE |
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"This is the first time I ever saw people sit during the closing credits, just so they could cheer when a performer's name
came up." Mick LaSalle SAN FRANCISCO CHRONICLE "A production so good it reinvigorates the movie musical, gives it grit and substance and returns it to glory." Pete Hammond MAXIM "Dazzling - one of the Best Pictures of 2006. It could rival "Chicago" in the upcoming Oscar race. It's that good!" Susan Granger SUSANGRANGER.COM "the picture belongs lock-stock-and-barrel to newcomer Jennifer Hudson as the group’s cast-off lead, in one of the most electrifying debuts in movie history (her rendition of “And I Am Telling You I’m Not Going” would raise gooseflesh on a statue). The role won Jennifer Holliday a Tony on Broadway, and it damn well better win Hudson an Oscar." Jim Lane SACRAMENTO NEW & REVIEW "Despite a new ballad written for the movie, the character of Deena hasn't a chance in terms of audience sympathy against Effie, the pathos factory. Hudson has the good sense, even at her young age, not to treat every second of screen time as an opportunity to destroy her cohorts. The role does all the work, and her big number, emotional blackmail in song, works overtime." Michael Phillips CHICAGO TRIBUNE |
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