What Do The Critics Say?
"The notion of the archangel as action hero is the premise of Gabriel, the first feature from the young Australian director Shane Abbess. It's a decent premise and with his brooding good looks Whitfield certainly looks the part, even if he sometimes struggles to convey the character's nuances. Abbess drops him into Purgatory, a gothic, post-apocalyptic world. The kind of low-budget movie that only exists because of the ingenuity, passion and goodwill of everyone involved, has its good points."
Richard Jinman SYDNEY MORNING HERALD
"Andy Whitfield stars as Gabriel, an Archangel, one of seven sent by The Light to save souls trapped in Purgatory. The atmosphere is deliberately dank and gloomy, with key scenes unfolding in back alleys, soup kitchens or rain-soaked rooftops."
David Stratton ABC AT THE MOVIES
"I think this happens to have an amazingly interesting look and sound to the soundtrack as well. I just thought it's a very interesting new look for an Australian film and I think I've not seen any of those actors before. I think they do a really good job."
Margaret Pomeranz ABC AT THE MOVIES
"Technically accomplished and visually arresting with a strong bid for commercial acceptance, Gabriel defies its minimal budget to deliver an exciting, supersized audio visual experience. The audacious screenplay takes as its starting point the eternal battle between light & dark as metaphors for good and evil."
Louise Keller URBAN CINEFILE
"Set in an unnamed city (where the sun doesn't shine, people don't have cars and everybody seems to be on drugs or homeless; heck it is set here, in Melbourne!) Gabriel pits the archangel of the same name (played by Andy Whitfield) against the forces of evil (led by first-time actor Dwaine Stevenson), who have assumed control of the Earthly world. Unlike other movie archangels who have floated down to walk among us mere mortals (such as John Travolta's beer guzzling Michael), Gabriel comes equipped with high-calibre firearms and a desire to wreak vengeance on the wicked."
Chris Bartlett QLD SUNDAY MAIL
"Director Shane Abbess ran out of money during the making of Gabriel, his good-looking, self-financed Gothic action flick. To make ends meet, he took a day job at a Sydney call centre, editing the film at night. Gabriel's production values belie its humble, low-budget origins. Abbess and his team have pulled off an impressive feat with Gabriel, successfully conjuring up a distinctive and memorable fantasy world from the smell of an oily rag."
Vicky Roach ADELAIDE NOW
"Filmmakers have been urged for years now to look beyond the home audience and pitch for international numbers, and Abbess has heeded the call. The experienced short filmmaker and music video veteran and his co-writer, musician Matt Hylton Todd, have shunned familiar material and developed what Abbess describes as a "poetic action movie". Fans of Gothic thrillers such as Alex Proyas's breakthrough The Crow (also filmed in Sydney) should enjoy the result. There's nothing particularly novel about either his story or his treatment of the good vs evil plot that's a staple of the Gothic thriller genre (complete with another hurtling bullet shot as introduced in The Matrix), but this certainly works as engaging entertainment."
Des Partridge BRISBANE COURIER MAIL
Meet The Director
Shane Abbess made his first film at the age of 14 on his parents Betamax camera and spent almost every weekend and school holiday there after making literally hundreds of shorts films and skate videos with friends. This new found passion would push him to fake his credentials so he could get into part-time adult film courses whilst still at school. After completing High School in the mid 90’s, Shane was immediately accepted as one of the youngest students ever at the North Sydney TAFE film course, which ran for a year. There, he learnt all the basic rules and principles of filmmaking and more importantly, how to break them for a better visual style and impact on storytelling. Shane finished the course and immediately started work at Channel 10, where he knew he’d have after hours access to all the equipment so he could further his skills in making short films and music video clips. Following his time at 10, he spent the next five years working odd jobs and selling personal belongings to pay for equipment and locations for his film projects. It was during this time that Shane formed Redline Films with writer/actor Matt Hylton Todd and together they formed a creative partnership and alliance that still stands strong to this day. With the addition of composer Brain Cachia and Sound Designer Sean O’Reilly, Redline would go on to win many film festivals both home and abroad as well as gather an extensive support network and fanbase via the emerging internet and media outlets of the time. Much more than a hobby, but never paying the bills, Redline pushed hard and fast to evolve their skills to tackle a feature. After 40 short films, music videos (including Iota and Stella One Eleven) and TVC’s, they felt they were ready and as well know film magazine Inside Film said back in 2000, ‘I’d love to see what would happen if these guys ever got hold of a feature film budget. Well, they never got the budget but that still didn’t stop them from gathering their forces and after several years of development hell with numerous other projects, they finally put it all on the line to make the feature film "Gabriel". "It's been made in the tradition of some of my favourite genre films and is very obvious when it comes to the texture and tone of the world existing within that period of the late 80's, early 90's, when genre films had to rely heavily on characters and story more so than visual fx and music video style editing. I wanted to go back to a place that felt familiar and a place I'd been missing for quite some time," says Shane.
"We made this film on an incredibly tight budget, and what many would think of as 'tight' is probably generous compared to what we actually had. Nine weeks, a lifetime of passion from a committed cast and crew, and a hunger to do a film here in Australia that defied the norm and went way outside convention in order to tell a story. A story that will challenge and question many things. Remember, what you see is not always the truth. Take a moment to think about this film, especially the ending. You'll find answers where you least expect them. Just take a moment to look a little closer," Shane suggests.
The Main Players
Andy Whitfield (Gabriel)
Andy is no stranger in front of the camera. He has performed in numerous short films, had a guest role on Australia’s long running drama "All Saints", was second in line for the US series; "Tarzan", where he was flown to LA and the mini-series "Hercules" and has also worked as a professional model. His extensive acting training over six years has included On Camera Connections, two years with John Noble, regularly performing at St Marks Parlour in Sydney and Screenwise, headed by Denise Roberts. Gabriel is Andy’s debut feature film. Born in the UK, grew up in Wales and studied at Sheffield University, Andy then spent five years working in the construction industry in London. 9 years ago, he moved to Australia and works around his acting commitments as a consulting engineer which involves him abseiling tall buildings and as a freelance photographer.

Dwaine Stevenson (Sammael)
Dwaine’s taste for performing didn’t start in drama school like most aspiring actors. Instead, it was 14 years of service in the Australian Army where, amongst his other duties, he began performing as an actor. Dwaine left the Army in 1999. In 2002, Dwaine decided it was time to get serious about acting. He attended the Actors Centre completing their one-year course, to test the waters. Half way through he won a part in the play Nothing Men at Newtown Theatre. Since this start, Dwaine has worked on many short films with Redline Films and director Shane Abbess including "Dinner for One", "Sunday Drivers" and "Real Eyes" as well as feature films including "The Orbit", for director Alex Wisser. Dwaine has continued to appear in several plays including "Cry Wolf" at the Factory Space and "Short & Sweet - Lifestyles of the Sad and Lonely" at the Newtown Theatre.

Jack Campbell (Raphael)
After doing the feature film "The Nostradamus Kid" and "Six Degrees of Separation" with The Sydney Theatre Company, Jack then spent six years in N.Z. working for South Pacific Pictures as a lead actor on four different TV shows. Jack then spent three years in Manhattan NY playing music and going to Acting School. Since returning to Australia a few years ago, Jack has played the lead on an ABC Production called "The Irish Rescue", played Raphael in "Gabriel" and has recently become core cast on "All Saints".
Samantha Noble (Jade/Amitiel)
Sam was born in Adelaide, South Australia, and moved to Sydney with her family in 1992, where she now resides. In 2001, Sam graduated with a BA in Drama, History and Education from the Australian Catholic University, and now teaches at schools and colleges in Sydney. She also directs children’s plays, and works as an assistant director on show reels. Her career as a working actor commenced in 1997 when Sam played Jodie in "Home and Away"; followed up with a small role in "All Saints". In 2000, she was fortunate enough to spend some time in New Zealand where she made an appearance in "Lord of the Rings". In 2001, Sam worked as part of the Loop Group on Di Drew’s feature film "Hildegarde – the Duck Movie" and various television commercials. The following year she was again cast in "All Saints", this time in the role of Ebony Trafford a young drug addict who is struggling to regain some kind of normal life. This character was so successful; they reprieved it a year later. In 2003 she once again appeared in "Home and Away" and had lead roles in the short films "The Fall" and "How to Hurt".
What They Had To Say
"I knew I would be taking on something huge that wasn't going to be easy to interpret and deliver. So I guess all of the character’s difficulties are what drew me in. I wanted to really wrestle with this monster, and give the audience something as real and authentic as possible. It became a very intimidating process and a lonely one. I was honoured to be the villain because it was the first real challenge that I have faced as an actor. " Dwaine Stevenson (Sammael)
"I'm incredibly humbled and inspired by the blood, sweat, tears and ultimate sacrifice that went into bringing this story to the big screen and I hope you enjoy going back to a time in cinema that I found truly unforgettable." Shane Abbess.(Director)
"From reading the first draft, I knew I had an opportunity to be involved in something truly exciting, challenging and original. Not only have Shane Abbess and Matt Todd written a script with such heart and soul, but also allowed us to push boundaries creatively." Kristy Vernon (Producer)
"Gabriel is so many things it's quite hard to put into words. In the context of this movie, he is the relentless do-gooder, charging ahead to bring back everything that he believes in. Bit of a bull in a china shop sometimes, but really all heart." Andy Whitfield (Gabriel)
"As young Australian filmmakers not only did we feel we had a responsibility but we also had a strong desire to create a more commercially appealing film, a film that had yet to be offered to not only Australian audiences but international audiences as well." Anna Cridland (Producer)
"I fell in love with her strength and veracity along with her sadness and vulnerability. That eclectic mix made her an intriguing character to attempt. Amitiel's plight is also heartbreaking. I love that. It involved a lot of reacting and listening rather than driving and manipulating." Samantha Noble (Jade/Amitiel)
Synopsis
The war between Heaven and Hell has raged since the beginning of time. The Light’s chief protectors, the seven Arc Angels, have all but disappeared in the battle to save the souls trapped in Purgatory: all except Gabriel. As The Light’s last hope for glory, Gabriel begins his quest to finally put an end to the war and find his fellow Arcs, but it is his more personal journey through the beauty and depravity of human emotions that tests Gabriel’s inner strength. Assuming a human body for the first time, Gabriel will struggle with his determination to bring back The Light to this dark place when he becomes involved in the story of Jade, a beautiful hooker who shows him the redeeming power of love. Gabriel’s quest brings him to a final showdown with the ruler of Purgatory, Sammael, but will his love for Jade break his convictions? Gabriel is an exploration of the depths of human emotion. It shows the human condition as frail and strong, as corruptible and honourable but always undeniably powerful and precious.
The Verdict
"Considering the budget, short shooting time and the fact that the director had to take a part-time job, "Gabriel" has made it to the bigscreen. If you like your films dark, driven by dialogue, conflict and plenty of bloodied action, you'll probably get your monies worth out of this tale about fallen angels and the despair of those trapped in Purgatory. While the film is very dark, there is light at the end of the tunnel. 2 1/2 STARS."
Who's Who?
Andy Whitfield
Dwaine Stevenson
Samantha Noble
Erika Heynatz
Michael Piccirilli
Harry Pavlidis
Jack Campbell
Kevin Copeland
Brendan Clearkin
Matt Hylton Todd
Valentino del Toro
Goran D Kleut
Amy Mathews
Christian Clark
Johan Earl
Amber Gokken
Denai Gracie
Az Jackson
Aaron Scully
Paul Winchester
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Gabriel
Sammael
Jade
Lilith
Asmodeus
Uriel
Raphael
Ahriman
Balan
Ithuriel
Baliel
Molloch
Maggie
Sean
Clay
Krianna
Leather Girl
Paddich
Xander
Marcus
The Crew
Directed by Shane Abbess
Written by Shane Abbess & Matt Hylton Todd
Produced by Shane Abbess/Anna Katharina Cridland/Kristy Vernon
Original Music by Brian Cachia
Cinematography by Peter Holland
Film Editing by Adrian Rostirolla
Casting by Faith Martin
Production Design by Victor Lam
Art Direction by Andrew Bocxe
Costume Design by Lisa Walpole
Run Time 114 minutes
Rated M [AUST]
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