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"We don't get to see a lot of films on life behind the iron curtain these days, and "Good bye Lenin!" manages to
give us quite a good peek from a more light-hearted perspective. Overall it is a nice flick, though I am sure it
would have worked even better had there been more subtlety and witty humor." Geeky Marcus NATURAL BORN VIEWERS "In short, Good Bye, Lenin! is an enjoyable, occasionally moving feel-good comedy drama, despite a slow middle section and an overlong running time. Worth watching." Matthew Turner VIEW LONDON "this is a rather poignant semi-drama whose slightly daft surface masks a strong subcurrent of elegy, indicated by Yann Tiersen’s score, whose mournful tinkly-keyboards themes echo (deliberately?) another tale of mother-child devotion, The Piano. As with the Yugoslav drama Absolute Hundred, Good Bye Lenin! looks back with partial fondness, through the prism of family relationships, to a pre-capitalist era which, though relatively recent, now seems startlingly alien." Neil Young MOVIE LOUNGE "This is a very clever film, as director-co-writer Wolfgang Becker intelligently and artistically uses the period and weaves the historic themes into a gently comic tale that takes us to this remarkable time and place. The characters are so well written and played that we immediately identify with them all... Becker has the skills to weave in a tender and somewhat complex romance, as well as some emotional moments that catch the back of our throats... The nature of the truth in restoring relationships is very subtly woven in here, and it's powerful stuff indeed." Rich Cline FILM THREAT |
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"Hailed as Best European Film at the 2003 Berlin Film Festival, "Good Bye Lenin!" looks destined to become one of Germany's
biggest international hits. Wolfgang Becker's film about one man's attempt to make history stand still is a tragi-comic
journey into political upheaval and personal worries. Taking wry pot-shots at the monolithic ideologies of Communism and
Capitalism, Becker turns this family's crisis into a symbol of Germany's own attempt to heal old wounds and rebuild itself." Mark Stevens BBCi FILMS "Beneath a concept of protecting the defenceless from political reality lies the emotional trauma of coping with loss and betrayal. For fear of sounding so boring you want to eat your socks, let it be said at once that Wolfgang Becker's film oozes charm." The Wolf IOFILM "Becker, director of the justifiably successful Life Is All You Get (an in-joke cameo by Jürgen Vogel nods to the earlier film), is expert at depicting comic insecurity and is in his element here. Good Bye, Lenin! could have remained at the level of farce and contented itself with riding the current wave of partly fetishistic 'ostalgie' among an audience who may have been children in the GDR and grown to maturity in post-unification Germany. Instead it becomes increasingly emotionally intricate without sacrificing humour or accessibility to non-German audiences." Richard Falcon SIGHTS & SOUND "The attention to detail in both setting and characters makes Goodbye, Lenin! a joy to watch. Becker has a great knack for visuals too, incorporating stylistic tricks like speeding up shots with memorable images of a country hit by rapid change, such as a succession of hastily abandoned apartment buildings or Alex scattering worthless currency to the wind. After Enlightenment Guaranteed and Martha’s Kitchen, Goodbye, Lenin! is further proof, if any were needed that Germany is the source of some of the most hilarious and surprising comedy out there." Matt McAllister FUTURE FILM UK |
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"The film’s poignancy comes from the knowing performances of Saß and Klaussner as Alex’s parents.
Refreshing comic relief comes from Florian Lukas as Denis, Alex’s aspiring filmmaker co-worker.
The essence of the film is warm nostalgia; you’ll come away knowing more about East Germany’s
wallpaper and gherkin labels than its recent history." Stephen Groenewegen eFILMCRITIC |
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| "Director Wolfgang Becker never heads for cheap hits and his use of archival footage and subtle shifts in tone gives the film a depth and understanding of the times rarely delivered in films today." Chris Stead FILMINK |
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Daniel Brühl Katrin Sass Maria Simon Chulpan Khamatova Florian Lukas Alexander Beyer Burghart Klaußner Michael Gwisdek Jürgen Holtz Jelena Kratz Christine Schorn Ernst-Georg Schwill Andreas Thieck Jürgen Vogel Stefan Walz Mennan Yapo |
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Alexander Kerner Mrs Christiane Kerner Ariane Kerner Lara Denis Rainer Mr Robert Kerner Direktor Klapprath Ganske Ariane [13y.o] Frau Schäfer Taxifahrer News speaker's voice Das Küken Sigmund Jähn Flea Market Salesman |